Posts
latest posts
- YouTube Fun04 Aug 2010
- Print Catalogue28 Jul 2010
- World Wetland Network24 Jun 2010
- More World Cupness08 Jun 2010
- Somerset Leisure31 May 2010
- The World Cup21 May 2010
- Drive The A-Team Van19 May 2010
- A Life Model10 May 2010
- WWT Consulting07 Apr 2010
- Marque-It website Live19 Mar 2010
- YouTube and BBC down11 Mar 2010
- Django Developer Job01 Mar 2010
- FFF Announced20 Feb 2010
- Please Rob Me18 Feb 2010
- Future of Web Design16 Feb 2010
categories
- posted
- Feb. 4, 2009
- time
- 3:49 p.m.
- by
- John
Typefaces that we love
February 2009
Typography isn't just about being legible and looking great.
When we choose an effective font, among other things, we try and achieve two important objectives:
1) Create an appropriate atmosphere and enable users to develop trust towards the site or printed media.
2) Make sure your collateral gets the main message across and users becomes interested in the services offered on the media.
Below you’ll find the first post of some first-class typefaces for corporate design that we love. Please notice that they are not free; however, we believe that these typefaces definitely work.
Graphik
“I ended up drawing inspiration from all parts of the 20th century. The heavy end of the family is based in part on Paul Renner’s Plak, a relatively obscure display typeface cut only in large sizes of woodtype, that is related to his heavier weights of Futura but has rounder, friendlier, fatter proportions“. By Christian Schwartz.
Stag Sans
The normal/quirky balance is a bit different in the heavy weights, which are more likely to be used for enormous headlines. The final result is a perfect match for Stag, and also works as a muscular counterpoint to just about any elegant serif face.
Prelo
A large sans-serif family with 18 weights with ligatures, alternates, fractions, scientific inferiors, superscript, swashes, oldstyle figures, lining figures, tabular figures, numerators, denominators, ordinals and smallcaps.
blog comments powered by Disqus
